Top 6: Killer Animal Films

On Sunday 7th April at The Roxy Bar and Theatre, Classic Horror Campaign are holding another fun filled Double Bill. This time it's a Double Creature Feature of 'Murders in the Zoo' and 'Day of the Animals.'

 
With that in mind, make yourself a drink, put the pets outdoors and settle down with the Fright Writer Top 6 Killer Animals Films. This list is strictly for real life beast only, no aliens, fantasy creatures, make believe monsters or anthromorphic animals.
 
Piranha
Joe Dante's fish feeding frenzy film clearly apes Jaws, resort owner Buck Gardner is clear an imitation of Mayor Larry Vaughan. Imitation is the sincerest form of flattery and even Piranha's tagline references it's predecessor; Then... you were shocked by the great white shark - Now... you are at the mercy of 1000 jaws! Alexandre Aja ramped up the comedy in his remake in 2010.

Lake Placid
A much underrated comedy horror. A giant crocodile starts picking off tourists and rag tag group are sent to investigate. No man, woman, cow or bear is safe from this killer croc.

Them!
A product of the 1950s nuclear fears, Them! is about ants mutated into giant, man-eating insects by atomic testing in New Mexico. Without doubt, the best of the many bug films of the time and featured in a previous Classic Horror Campaign event.

The Birds
Alfred Hitchcock's adaptation of Daphne Du Maurier sees him link up with his muse Tippi Hedren for the first time. The sheer terror of a usually placid animal turned violent and in Hitch's inimitable style leads for an unforgettable classic.

Jurassic Park
Sorry fundamentalists, dinosaurs did exist and nobody brought them to life on screen quite like Spielberg. From the first jaw dropping scene that we see the dinosaurs flocking through fields, Jurassic Park is a breathtaking ride not least the heart stopping T-rex attack.

Jaws
Another Spielberg classic that may not only be the best creature feature of all time, but may just be the greatest horror film of all time. Based on Peter Benchley's novel of the same name, Jaws was arguably the original summer blockbuster and marked a turning point in American cinema.

And that's the Top 6 Killer Animal Films list. To feel the full force of animal fear be sure to get your tickets to the Double Creature Feature now.

Frighten Brighton

At the time of writing this, some media sources are reporting that tickets for the Wimbledon final are selling for £15,000 with the possibility of history on the cards. However, just 0.1% of that price though will buy you a ticket to experience history in it's own right.

Just £15 will get you a day pass to Frighten Brighton, the classic horror film festival.

The festival brings you 5 films, from 5 decades crammed into 12 gory hours on the 11th August at Brighton's Komedia.

If that wasn't enough, the devious little, sultry archangel atop of the horror tree is none other than presenter, B-movie starlet and horror icon Emily Booth. The event starts at midday and ends just before the witching hour. 

The first film is 1930s Mad Love, aka The Hands of Orlac, a tale of mutalation, death, lethal obsession and maniacal doctors. It marks the American film debut of Peter Lorre and claims Citizien Kane borrowed heavily from it.

From the 40s is a personal favourite of mine, Cat People. A stylish, slick noir/horror produced by the legendary Val Lewton and containing the original Lewton Bus. It uses Serbian curses and metamorphosis to express the repressed sexuality of it's female lead.

It's seminal classic Them! next. A 1950s creature feature that kick started the "big bug" sub genre that reflected the pre cold war era and picked up an Oscar nom on the way.

It wouldn't be 60s horror without Hammer and so Plague of the Zombies is the representative. A big influence on the zombie genre with it's themes of colonialism and exploitation.

Then, in the dead of the night, the festival draws to a close with 70s low budget, cult classic Phantasm. A strange and weird tale from the mind of Don Coscarelli. The film contains the infamous antagonist The Tall Man, flying spheres and zombie dwarves.

The festival allows you to view not only some great works of terrifying horror but history itself. History in style and techniques, but also because each reflects the era in which they were conceived. All five films give us a looking into the views and perceptions of the society that produced them. Whether it be the sexual repression of women or cold war paranoia, the evolution of thoughts and fears of people through the ages are evident throughout.

Henry Ford once said, "history is bunk" but he never went to Frighten Brighton.

Europe vs USA - The Conclusion

Over my previous two posts I have compared the horror outputs of Europe and the USA with a view to finding which has been better for the years 2008/09. In this post I will attempt to reach the conclusion.

America made some excellent films in this time, though they are often clouded by shoddy remakes and sloppy sequels.

However, when the films were good they were very good. Some of the films stateside really were a breath of fresh air in what sometimes felt like a smothering smog of mediocrity. New writers, producers and directors proved that if they are given a chance they can create something good fun and entertaining, something you want to watch. The problem at the moment across the Atlantic is that these opportunities are often reserved for the privileged whose name will pull in the crowds, if the film itself doesn’t.

There is no question that Europe released some excellent horror films in that period and if I had looked at 2007 too then, I believe, they would have been run away winners.

Film makers have be given a little more freedom, a little more trust and my goodness the results show. Sequels and remakes are present in European cinema but they are in the minority with new, original ideas given preference.

There is no doubt, for me, that Europe is the winner of the contest. Not just because I believe their output to be better but, also because of a growing trend in American horror to remake European films.

Two of the best received films in the US were ‘Quarantine’ and ‘The Strangers’, remakes of Spanish chiller ‘Rec’ and French home invasion film ‘Them’ respectively. Although ‘The Strangers’ is very liberal in the telling of the story and moved away from the original, the premise and plot is essentially the same.

The worrying thing for Hollywood is that this trending looks set to continue with ‘Let Me In’ virtually lurking on our doorstep, it appears that Euro remakes may be the next big thing in American horror similar to the Asian influence we saw not too long ago.

America needs something new and different to get itself back on its perch in horror terms and remakes are not the way forward. They need action quickly, before the gap between themselves and Europe widens further.