Top 6: Remakes Better Than The Originals

I've had more than my fair share of rants about horror remakes/reimagings/rehashes of the usual bullshit. However, sometimes (only sometimes), a remake gets it right, hits the nail square on the fucking noggin and makes a film even better than the original.


In a market saturated with remakes, the number of films that live up to their predecessors, let alone surpass them is terribly low but not unheard of. Some films move beyond being simply a remake and add a new edge, originality and life that transcends the original.


Here are my Top 6: Remakes That Are Better Than the Originals.


The Fly
The ultimate in remakes that are better than the originals. Though the original is indeed a classic in itself, Cronenberg's 1986 remake pushes it to a whole new level. A lesser director would have taken the original script, updated the FX and rested on his laurels, that's not really Cronenberg's style though. Darker, bleaker and full of dread, Cronenberg's tale is so much more twisted and visceral with Goldblum the little black cherry on top, twisting a sci-fi film into a his signature body horror.

The Thing
Another 1980s classic that exceeded it's 50s father ('The Thing From Another World'). Whether 'The Thing' is a remake or just a separate adaptation of John W. Campbell Jr.'s 'Who's Goes There?' is open to debate, but without doubt oversteps the original and with some vigour. Never as an open expanse felt so claustrophobic as 'The Thing's' Antarctic terrain.

The Strangers
No doubt both 'The Strangers' and French original 'Ils' are deeply chilling, but there is something about the US remake that is disturbing to the very core by pushing barriers a step further. Part of the advantage of 'The Strangers' is Liv Tyler's innocent, defenceless female lead. Tyler plays the part perfectly and the thought of bringing any harm to something so precious is nothing short of perturbing.

 

My Bloody Valentine
This is something as rare as a black actor at the end of a horror film or virginal victim in a slash. 'My Bloody Valentine' is a film I enjoyed despite not only being a remake, but also 3D. It's an enjoyable remake of the Canadian classic about a manic miner far more scary than anything the Spectrum ever produced. Teaming Patrick Lussier and Todd Farmer once again, it's a fun film, memorable for more than just Farmer's opening scene with Betsy Rue.

2001 Maniacs
Blood,boobs and belly-laughs, don't dare take Tim Sullivan's remake seriously. Camp and deliberately kitsch is what most fun horror films wish they were. '2001 Manics' is filled with horror references played out by horror's finest including Robert Englund's unhinged Mayor, Lyn Shaye's crazed Granny and Christa Campbell's unforgettable Milkmaid, crazy fun to the very end.

Dawn of the Dead
The controversial choice. Zack Snyder and James Gunn tackle a classic and come out on top. Romero is sacred to many (with good reason), but make no mistake, the original is by no means flawless and the remake is just more...enjoyable.

(PS. Before anyone mentions running zombies to me, read my previous post here.)

Honourable mentions:

Two films that are as good as the films that spawned them.


Texas Chainsaw Massacre

The Crazies

So, that's my list, leave me a comment to let me know what you think and any others that would be on your list.

Frighten Brighton

At the time of writing this, some media sources are reporting that tickets for the Wimbledon final are selling for £15,000 with the possibility of history on the cards. However, just 0.1% of that price though will buy you a ticket to experience history in it's own right.

Just £15 will get you a day pass to Frighten Brighton, the classic horror film festival.

The festival brings you 5 films, from 5 decades crammed into 12 gory hours on the 11th August at Brighton's Komedia.

If that wasn't enough, the devious little, sultry archangel atop of the horror tree is none other than presenter, B-movie starlet and horror icon Emily Booth. The event starts at midday and ends just before the witching hour. 

The first film is 1930s Mad Love, aka The Hands of Orlac, a tale of mutalation, death, lethal obsession and maniacal doctors. It marks the American film debut of Peter Lorre and claims Citizien Kane borrowed heavily from it.

From the 40s is a personal favourite of mine, Cat People. A stylish, slick noir/horror produced by the legendary Val Lewton and containing the original Lewton Bus. It uses Serbian curses and metamorphosis to express the repressed sexuality of it's female lead.

It's seminal classic Them! next. A 1950s creature feature that kick started the "big bug" sub genre that reflected the pre cold war era and picked up an Oscar nom on the way.

It wouldn't be 60s horror without Hammer and so Plague of the Zombies is the representative. A big influence on the zombie genre with it's themes of colonialism and exploitation.

Then, in the dead of the night, the festival draws to a close with 70s low budget, cult classic Phantasm. A strange and weird tale from the mind of Don Coscarelli. The film contains the infamous antagonist The Tall Man, flying spheres and zombie dwarves.

The festival allows you to view not only some great works of terrifying horror but history itself. History in style and techniques, but also because each reflects the era in which they were conceived. All five films give us a looking into the views and perceptions of the society that produced them. Whether it be the sexual repression of women or cold war paranoia, the evolution of thoughts and fears of people through the ages are evident throughout.

Henry Ford once said, "history is bunk" but he never went to Frighten Brighton.

Shuffle, Shuffle, Moan, Shuffle, Groan, Scream, Run!!!

There seems to be myth perpetuating within horror that’s gathering speed at a frightening rate. On some levels it’s affecting the genre and passing off perfectly sound films as trash. This myth tries to affect the way writers, producers and directors come about their ideas and the way they transfer them to the page and ultimately the big screen. So, what is this argument? Zombies have set rules.
 
I’m not saying zombies don’t have rules, no not at all. It is screenwriting 101 that the universe you create must have rules that you abide by. However, the rules your zombies endure should be set by you and you alone. Have your zombies shuffle, have them run, have tearing up the road on a Harley Davidson just be sure you set the rules and you stick to them.

The rules that many believe to be gospel are long standing, dating back to George A. Romero’s “Night of the Living Dead”. These rules are only in place because Romero dared to challenge the existing, tired premise of what a zombie was though. Before Romero zombie didn’t crave flesh, most never killed and they were rarely actually dead. Pre-Romero zombies were brain dead plantation workers, zombified by a bokor.

Romero stripped the zombie subgenre down to its parts before rebuilding it into something new and relevant to the culture of the period. Romero, in an act not unlike the cadavers in his films, killed the genre, resurrected it and watched it take over the world. It was bold move but it revolutionised zombie cinema and now Romero is synonymous with the undead.  

Now it seems that anybody who tries to do the same is torn to shreds and cast asunder by the same people who praise Romero, often “fanboys” who would gladly shuffle off the end of the earth if George told them to. 

Now I admire Romero and what he did for the genre but am I the only person who sees the hypocrisy in this argument? How can people praise a film maker for being daring by turning a tired format into something new a fresh, yet write off anyone who tries it subsequently?
I have read numerous articles and blog posts in recent weeks declaring that zombies have run (or at least shuffled) their course, that they aren’t nearly as entertaining or terrifying as they once were, more shambolic than shambling. 

So, maybe it’s time that zombies evolved into something to cause us terror again because the truth is the audience has evolved too. The “Dawn of the Dead” remake and Charlie Brooker’s “Dead Set” showed how terrifying fast moving zombies can be and how much more relevant they are to our culture. In a new fast moving world of fast food, instant downloads, on demand TV and anything just click of a button away maybe it’s time our zombies picked up the pace a bit or run the risk of being left behind.

Circus of Horrors

Cirque Du Soleil directed by Quentin Tarantino!” That’s how ‘Circus of Horrors’ is described by lead performer and show creator Doktor Haze. Last week I clambered from my hovel, with Mrs Fright Writer in tow, to cast a beady eye over this freak show.

So, on a cold, February night in Cardiff I find myself stood outside a theatre waiting to see the performance, but in reality, the show has already begun. A hunchback shambles his way up and down the queue entertaining the crowd.

The crowd themselves though are, kind of, part of the show. Among the ‘normal people’, a large number of the audience are dressed in a darkly gothic or deeply horror manner, as flamboyant as the performers themselves. Women in tutus and corsets, with body art and extravagantly coloured hair stand alongside shadowy men dressed in black. They are geeks and freaks, they are my kind of people.

In the foyer we are met by two scantily clad performers who greet the audience with a smile the opportunity to buy an official tour brochure and merchandise.

When we take our seats and while others pour in before the show begins we are entertained by ‘Daniel Disorderly’, the hunchback we met outside. Daniel entertains us with lewd jokes and “magic”. Then, as the show is about to begin, he runs as through the shows disclaimer with appropriate actions. We’re told it contains sexual content, nudity, bad language and is “not suitable for children, people of a nervous disposition, sissies & chavs.” It sounds like one hell of a show!

Then, as the lights go down, performer and Polish aristocracy Anastasia IV goes up, way up, performing a ballet routine through the air, high above the stage attached only by her own hair and accompanied by rock music. In the short routine we are introduced to exactly what we can expect over the next two and a half hours; sex, rock, horror, humour and death defying acts.

So begins one of the freakiest, most action packed shows you are ever likely to see on stage. Transported from an old asylum to the dystopian future metropolis “Sin City” via Mexico and Victorian London, we meet all sorts of oddities; our very flexible friend Kristina Garcia, Professor Daniel Von Henry aka Captain Dan a perverted midget, Hannibal Helmuerto a tattooed sword swallower with “floating ribs” and many other freaks including the man himself Doktor Haze.

The whole show continues at a dizzying pace. In a matter of seconds you’ll hold your breath in anticipation, gasp with horror and laugh with joy. In fact you may be glad of the interval just to catch your breath.

You’ll realise quite early in the show that, despite what Doktor Haze says, Tarantino it ain’t. No, this show is too horrifying, too gory, too much fun to be Tarantino. This show is more Fulci crossed with Rodriguez, it’s not afraid to bring things down to base level with wicked humour and smatterings of bodily fluids. Sure the acting isn’t always great and the story isn’t Shakespeare, but you will be too wrapped up atmosphere of the whole to even care.

It would recommend that everyone takes a look at the tour dates and goes to a show near them. This show really is like nothing else and with 15 years of performing under its belt it’s showing no signs of slow down.

Circus of Horrors have taken something sweet, laced it with sexuality, covered it in horror and dusted it with humour to create something far more mature and a lot more fun. It’s like adding vodka to jelly or chilli to chocolate, the innocence is gone but the pleasure is so much better.

The show beats with a black heart but it’s one that’s sprinkled with the gold glitter of showmanship. It puts glamour and horror together side by side to create something simply spectacular.

That’s all from me. I need to go to tell my wife I’m running away with the circus. Goodbye for now and in the words of Doktor Haze, ”may your dreams be nightmares."

Women in Horror

I've been musing about women in horror, particularly those in the villain roles.

If you fancy taking a quick trip into my mind on this subject then it's here: http://horrornews.net/22666/ruthless-killing-its-a-mans-world/

Have a read and leave a comment.

What Do Horror Fans Want?

Another quick post for you all today.


Recently Joe Lopez over at terrorscribe.com posed the question, 'what do horror fans want?' 


Some of us bloggers and fans put together a reply.


Read mine here: http://terrorscribe.com/2010/10/29/stefan-prosser-what-do-horror-fans-want/

DVDs for Halloween

With just one day until All Hallows Eve is upon us you may find your self with no plans for what to do. Well, that may just leave you with what I think is the best plan of all. On a cold autumn evening, the last one of October, why not curl up with some nibbles, drinks and some loved ones (or one special loved one) and put on a DVD?

Here are my picks for the best DVDs for Halloween.

All the DVDs are Halloween related and available to buy or rent.

One for the Family: The Simpson’s Tree House of Horror
Twenty years ago Bart and Lisa sat in their tree house on Halloween and recounted horror stories to each other whilst a terrified Homer listened in. As a result a new tradition was born. Every year the Simpson family come over all horror, the writers push their imagination to the limits and the viewers cackle at the spoofs and in jokes. A great family watch that just pips 'Hocus Pocus', if not just for Homer channeling Jack Torrence in 'The Shinning'.

One for the Classic Lovers: Halloween
The word classic gets used a bit too much I feel but, Halloween is exactly that. It reshaped the horror genre and bore the teen slasher phenomenon. It also made a star out of Jamie Lee Curtis and raised her horror status to icon. Who knew a Bill Shatner mask could be so frightening?

One for the Modern Retro Fans: House of a 1000 Corpses
Rob Zombie’s film, about the murderous redneck Firefly family and the mythical Dr. Satan, oozes 70s horror out of every orifice, a kind of Texas Chainsaw Massacre meets The Hills Have Eyes on speed. There are a lot of the things to like about Zombie’s first stab at horror not to mention references by the bucket load.


One for the Ladies: Ginger Snaps
So, it’s Halloween and you want to impress a young lady with a quiet night in. She doesn’t really know much about horror and leaves herself in your capable hands. You’ve chilled the drinks and popped the corn now what the hell are you going to watch? Well, first things first, steer clear of I Spit on Your Grave. If there is one horror film not appropriate for an early date that’s it. Instead, dig out Ginger Snaps. It’s cool and funny and she will relate to the subject matter, which is as good a metaphor for female puberty as Carrie ever was.

One for the Bad Movie Lovers: Night of the Demons
Directed by Kevin Tenney, starring Linnea Quigley and with a cheesy plot about a party in a morgue with naked women, sex and booze, oh, and it’s from the 80s. A good, bad movie at it’s best.
 
One for the Cult Fans: Donnie Darko
If one film has defined the cult film scene in recent years it’s Donnie Darko. A dark, brooding film with strange dreams, dead teens, a giant macabre rabbit and some time travel it clever to say the least and anyone who hasn’t seen it, must do at least once.

So, there we have it. Have a great Halloween and enjoy yourselves.